20 January 2020
A companion volume to Kingdoms of Elfin, Of Cats and Elfins gathers together the remaining four Elfin stories by Sylvia Townsend Warner, with the remarkable forgotten tales of The Cat’s Cradle Book (1940), eighty years after its first publication. This is a new selection of Warner’s remaining fantasy short stories, collected for a new generation of fantasy enthusiasts and Warner fans.
With a cover endorsement by Neil Gaiman: ‘Sylvia Townsend Warner was one of our finest writers. I’m thrilled that Handheld Press are bringing some of her uncollected fantasy stories back into print to delight and amaze a new generation.’
You can order the paperback edition direct from us now (it comes with an exclusive bookmark) by adding it to your cart below. Remember that if you are ordering from North America, our books are distributed there by Two Rivers / Ingram, so your local bookstore should be able to sell you our books without the breath-taking p&p we have to charge when posting from the UK. We now have a bank transfer option for payment (you’ll see this when you click forward into the payment stage), but this is for UK bank accounts only: sorry.
UK: £12.99 (includes p&p)
Rest of the World: £12.99 plus £6.00 p&p per book
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The twenty-three stories in Of Cats and Elfins encompass scholarship (Warner’s ground-breaking 1927 essay ‘The Kingdoms of Elfin’, on modern Elfinology), black humour, the Gothic, and the bizarrely anthropomorphic cats of The Cat’s Cradle Book, which reflect Warner’s preoccupation with the dark forces at large in Europe in the 1940s.
The Cat’s Cradle Book opens with a long autobiographical fantasy about talking cats in a manor based on Warner’s own Norfolk home with Valentine Ackland. ‘The Castle of Carabas’ continues the story begun in ‘Dick Whittington’. ‘The Magpie Charity’ is a political fable satirising institutional charity, ‘The Phoenix’ relates an unfortunate combustion in the bird collection of Lord Strawberry, and ‘Bluebeard’s Daughter’ narrates the adventures of Bluebeard’s daughter by his third wife, and her propensity for locked doors. Warner mixes fables and myths with storytelling traditions old and new to express her unease with modern society, and its cruelties and injustices.
The Guardian liked it very much: ‘Each tale is a beautifully realised imaginative world, resonant with folklore and a rich appreciation of nature.’
The Times Literary Supplement found the stories ‘cut from crystalline prose, they are strange, wonderful and often wickedly funny, as when Apollo responds to a farmer’s complaint: “Stupid prayers are often soonest answered, for no deity can stand them”. This is storytelling as enchantment and it feels like an answered prayer to fall under Warner’s spell.’
The Fantasy Hive was keen: ‘”The Duke of Orkney’s Leonardo” is a story of an ill-fated child’s gruesome transformation, with undercurrents of queerness and sly undermining of gender norms. It could sit happily with the best stories in The Kingdoms of Elfin, and makes the collection worth the asking price alone … The bulk of the collection is given over to The Cat’s Cradle Book. Warner, like most right-thinking people, loved cats and she and her partner Valentine Ackland looked after many. The Cat’s Cradle Book brilliantly captures the character and sensibility of cats. Much like Warner’s fairies, they are sleek, beautiful, charming yet capricious, and self-reliant; existing parallel but aside to mere human concerns. Warner brilliantly draws the line between the stark coolness of folktales and the attitude of cats by attributing her folktale-inflected stories to cats, reminding us that the earlier versions of fairy tales and legends are from an older time in human history, and are much concerned with darkness and death.’
Shiny New Books liked it a LOT: ‘can’t recommend highly enough’.
Desperate Reader didn’t want to finish it: ‘it gave me that magical feeling of finding something that could have been written just to amuse me. It’s a sense of recognition within a book that I associate more with childhood and teen years than being an adult reader so finding it here was a real gift.’
You may also be interested in …
Sylvia made a friend in America, Elizabeth Wade White, who was a young poet and a dissatisfied heiress. Their relationship turned bitter when Valentine and Elizabeth fell in love, and Elizabeth would not let go. Read the story of their tumultuous relationships in Peter Haring Judd’s The Akeing Heart.
After Valentine’s death Sylvia Townsend Warner made a change in her writing. ‘I’m sick of the human heart. I want to write something completely different.’ She wrote the dark fantastical stories that would become Kingdoms of Elfin.
Frances Bingham has written the first biography of Valentine Ackland, which we will be publishing in May 2021. You can pre-order it here.
For more information about Sylvia Townsend Warner and Valentine Ackland, visit the Sylvia Townsend Warner Society website.
Watch our video, in which we explain how we chose the stories for this collection, and why they’re probably not for children.
Greer Gilman wrote the Introduction. She is the author of Moonwise and Cloud & Ashes, and two critically-acclaimed novellas about the poet Ben Jonson, as well as poetry and criticism. Her fantasy fiction, rooted in British myth and ritual, has won the Tiptree, World Fantasy, and Shirley Jackson Awards. She wrote the Foreword for the Handheld Press edition of Kingdoms of Elfin. Watch Greer read an extract from ‘The Duke of Orkney’s Leonardo’.
Download and read our Warner biography